Discussed the global influence of Norwegian playwright John Fosser and the relative neglect of his novel creation. It is pointed out that foreign academic circles mainly focus on his theatrical works, while domestic research focuses on the characteristics and dissemination of drama. Fosser has been a well-known poet and novelist in Northern Europe since the 1990s, with his novel and drama creations running parallel. In 2009, Fauser announced the suspension of his theatrical creations and instead presented real life in the form of slow prose. His works, "Trilogy" and "Seven Parts," were nominated for the Nordic Council Literature Prize and the International Booker Prize, respectively. Fosser's plays intertwine with the characters and themes in his novels, such as "Alice by the Fire" adapted from his play "A Summer's Day". Although 'A Summer's Day' has been staged and popular in China, 'Alice by the Fire' has not received much attention as a novel. Domestic research mostly focuses on the trilogy and the seven part series, with less mention of Alice by the Fire. This article will explore the writing characteristics of "repetition" in "Alice by the Fire" and the resulting feelings of fear and continuity. These two emotions blend back and forth, forming Fauser's unique narrative of the basic human condition.

No repetition, no fusser

In depth exploration of the core position of "repetition" in Fosser's drama and novel creation. By analyzing "And We Will Never Separate" and "Alice by the Fire," the use of repetition in dialogue, plot, character names, scenes, imagery, and language structure is revealed. Repetition not only constructs the internal structure of the work, but also blurs the boundaries of time, connecting the present and the past, allowing the moment to be infinitely extended. Fosser uses repetitive techniques to depict the cycle of family fate, communication difficulties, and passive situations in life. At the same time, repetition also promotes different types of "connections", making the overall sense of the work both fluid and dynamic. These repetitions and connections reflect the unique style and deep themes of Fosser's works.

Repetition and Continuity

In depth exploration of the external drivers of Fauci style repetition emphasizes that repetition is not only the internal texture of the work, but also closely related to external factors. By analyzing Fosser's novel 'Alice by the Fire', the cyclical nature of its narrative is revealed, which echoes the time concept in Norse mythology and reflects the interweaving of linear time and cyclical time. The interaction between Fosser's creation and Norse mythology, as well as the representation of the poetic form of 'Eda' in his play 'Eda', further strengthens this view of time. In addition, the chapter also explores the relationship between Fauser and German musician Bach, pointing out that the "repetition of changes" in Fauser's plays has similarities with Bach's variations. Through the portrayal of Alice and her variants in 'Alice by the Fire', the inheritance and continuity of female power in family history are demonstrated. Bergson's concept of "continuity" is used to explain the flow of life and the continuity of consciousness in Foucault's narrative, emphasizing the cyclical nature of life experience. Finally, the chapter points out the connection between continuity, repetition, and fear in "Alice by the Fire," demonstrating the complexity of life experiences.

Repetition and Dark Terror

Deeply explored the embodiment of Freud's theory of "dark fear" in Fosser's works, especially the fear triggered through repetition and ghosting techniques. The chapter analyzes the complex relationships among three generations of women in the Asle family in "Alice by the Fire," as well as Signer's fear and grief over losing a loved one. At the same time, it explores how the repetition of dialogue in the novel portrays the sense of alienation and communication failure between characters, triggering a sense of fear. In addition, the chapter also discusses the connection between Foucault and the European tradition of absurd drama, particularly the similarities with the works of Ionescu, and the possible influence of Freudian psychoanalytic theory on Foucault. Finally, the chapter emphasizes the importance of repetition in Fauser's novel creation, believing that repetition is not only a narrative tool, but also the key to building the overall spirit, making the work have profound artistic value.