Washington Irving's "The Groom" is often overlooked in "Notes on Observations" due to its setting in the Old World, which is far from the narrative of the New World. However, through its complex textual lineage, the work showcases the genre evolution of European and American Gothic novels and the subtle dialogue of transatlantic geopolitics. The characters and relationship structures in the novel reflect the literary and political interactions of the late 18th and early 19th centuries, revealing the significant role of the work in the New World narrative.

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The novel 'The Groom of the Ghosts' presents a dual layered narrative structure with the German folk poem' L ü anor 'through a framework narrative structure, forming a literary fable text. The novel "Lenore" was created by Bilge, and through its dissemination and acceptance in England, it influenced the creation of British poetry, challenged the paradigm of neoclassical poetry, and foreshadowed the rise of the Romantic folk poetry trend in England. The background of the creation of 'The Groom' is the decline of Gothic literature in the first half of the 19th century in England. The author Owen critically reflected on traditional Gothic novels by satirizing the Gothic style and created a new genre of fable.

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An in-depth analysis was conducted on how Irving constructed a complex geopolitical allegory by embedding the narrative of "Lenore" in "The Groom". The author points out that the "French Anecdotes" mentioned by Owen in the footnote of the novel title are actually a metaphor for the 1789 French Revolution, which became the key to interpreting the work. At the same time, the chapter explores the connection between the translation of "Lenore" in the UK and the conservative backlash against radicalism at the time, as well as how this translation became a tool for conservative propaganda. Irving satirized the revolutionary panic and political conservatism in Britain through 'The Groom', while reflecting his dissatisfaction with the tense relationship between Britain and the United States and Britain's attitude towards the American war. Irving's creation is not only a criticism of British political attitudes, but also an imaginative compensation for nationalist emotions. He cleverly uses German stories as carriers of political fables to construct a transatlantic literary imagination.

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An in-depth analysis was conducted on the symbolic 'counterpoint' relationship between the characters in 'The Groom' and European and American countries. The personality traits and territorial status of the protagonist Baron suggest that he may represent England, which is further supported by his surname "Randshort" and family background. The Baron's family relationships and the homogeneity of European landforms, as well as the tense relations with neighbors, reflect the complex relationship between England and the European continent and the New World. The baron's daughter symbolizes Britain's colonies in the New World, while the "ghost groom" Hermann von Stauckenfurt represents America, and his relationship with the baron's daughter implies America's intentions towards Canada. Irving used these character relationships as a metaphor for the geopolitical competition between Britain and the United States, particularly the tense relationship during the 1812-1815 Anglo American War. At the same time, the failure of the marriage alliance between the Baron and the Count of Altenburg reflected the internal division of the German Federation and the fragility of the alliance of European powers at that time. The ending of the novel, the reconciliation between the Baron and the Knight, symbolizes the political reconciliation between England and America. Irving cleverly blends literature and history in his works, showcasing the transatlantic genre and geopolitical relationships of the 18th and 19th centuries through character and plot settings, promoting the development of New World ethnic literature, while also expressing his complex emotions towards British culture and defense of the American Revolution.