During the Ming and Qing dynasties, the compilation of poetry collections became a cultural phenomenon, whose function was to preserve literature, evaluate articles, and closely related to social culture and literary trends. The compilation of poetry collections and the guidance for poetry creation complement each other, reflecting the interaction between culture and literature at that time. With the increase in the number of poetry collections and the diversification of their forms, different poetry collections have influenced each other in terms of selection and editing, forming a complex network. The enthusiasm of Ming Dynasty literati for compiling poetry collections was high, which influenced other countries in the "Han cultural circle", especially Korea. After the "Imjin War" in 1592, Ming Dynasty literati began to collect Korean Chinese poetry and compiled multiple Korean poetry collections, such as Wu Mingji's "Selected Korean Poems". These collections not only included the poetry of Korean literati, but also the works of Korean female poets, reflecting the late Ming Dynasty's enthusiasm for talented women's poetry.

1、 Gender, Politics, and Writing: Queen Zhen De's "Poetry Diplomacy"

Deeply explored the important position of Queen Jeongdeok in the history of the Korean Peninsula and her role in the relationship between Silla and the Tang Dynasty. Queen Jeongdeok, also known as Seongman, was the daughter of King Jeongpyeong of Silla. She ascended to the throne after the death of Queen Jeongdeok, becoming the second queen in the history of the Korean Peninsula. During her reign, she successfully transformed the Tang Dynasty's policy towards Korea from equal distance communication among the Three Kingdoms to supporting Silla by sending envoys to the Tang Dynasty, laying the foundation for Silla's unification of the peninsula.

2、 From Korean tribute women to ideal virtuous concubines: Controversial poems of imperial concubines

In depth exploration of the poetry creation of Consort Quan Xian and its controversies in Ming and Qing poetry collections. Quan Xianfei, as a Korean tribute girl during the Yongle period, was conferred the title of Xianfei. Her talent is recorded in the "Ming History: Consorts". In Prince Ning Zhu Quan's "Seventy Palace Poems", there is a poem that is said to have been written by Empress Quan after she played the flute. However, after research, it is more likely that this poem was a product of the traditional palace style poetry, rather than specifically written for Empress Quan. Since the Jiajing and Longqing periods, the compilation of women's poetry collections has become a trend, but there are also many forgeries, and the style of palace style poetry is easily packaged as works of female poets.