introduction

Explored the importance of historical novels in the works of Margaret Ysera, who views history as a source of freedom and a starting point for philosophical thinking. Yousnar's works blend classical style and postmodern creative concepts, showcasing the unity of tradition and modernity. Her works echo the overall trend of historical literature creation in the second half of the 20th century, reflecting the integration of history and narrative literature. This article will combine postmodern theory to analyze how Utsunar conveys her historical perspective in her works, examines the relationship between history and the present, and how she resists the fading of historical sense in the postmodern context by depicting the universality of human nature and human circumstances. At the same time, explore how Utsunar spoke out for individual and collective fate through his "non personal" autobiography, enriching public history with personal memories.

1、 History and Present: Yousnar's Unique Historical View

In the context of globalization and new technologies, modern people are facing the challenge of re examining history and themselves. Postmodernism's return to history is seen by Zhan Mingxin as a nostalgia, while Ha Qin believes that the task of postmodernism is to re evaluate and dialogue history. Yousnar's works respond to issues such as the rupture between history and time, the transience of memory, and the questioning of the authenticity and reliability of history in the context of postmodernism. She believes that all novels are historical novels because they are all in the past. Yousnar's historical writing focuses on human life and its changes. Her works span different historical periods and revolve around specific themes such as anti war and taboo love. She showcases the interconnectedness of time travel through ancient and modern times through the portrayal of family changes. Yousnar's works reveal the repetitive storylines and behavioral patterns in the rise and fall of families through the act of "retrospective", attempting to retrieve the fate code of the entire human race.

2、 Truth and Fiction: The Writing and Reconstruction of History

In his works "The Forge" and "The Memoirs of Hadrian," Uther explored the writing and reconstruction of history by combining historical truth with literary fiction. She believes that history is a series of archives, and the task of novelists is to use these archives to weave novels to interpret past facts and memories. In Hadrian's Memoirs, Utsunal portrayed an image of a hardworking monarch, reflecting the post-war society's expectations and longing for peace. Her works integrate various historical materials such as photos, diaries, genealogies, etc. Through the extraction, synthesis, and recombination of these materials, she creates fictional characters with characteristics of the times and regions. Yousnar's works not only focus on the authenticity of history, but also emphasize a profound understanding and sympathy for human nature. Her works showcase the close connection between historical compilation and literary creation, as well as the fictionality of historical narratives. Yousnar's creative philosophy was influenced by the poetics of New Historicism and Postmodernism. She reinterpreted history through the "textual remnants" while expressing unique insights into the fate of humanity. Her creative process reflects a deep study of historical facts and a profound insight into the inner world of characters.

3、 Non Personal Autobiography: The Historical Dimension of Self Writing

In his works, Yousnar combines personal consciousness with historical figures through the fusion of self writing and historical writing, in order to break the limitations of specific historical periods and provide a comprehensive and universal interpretation of human history. She adopts the first person narrative technique of self fiction, reflecting the multiple relationships between the author, the work, and the characters, involving issues of postmodern theory. In Usanar's works, personal fate and historical fluctuations are intertwined. Her works are both autobiographical and non autobiographical, projecting herself through characters while attempting to conceal herself to dilute individual colors and make personal history universal. Her works, such as "Hadrian's Memoirs" and "The Unknown Man," showcase the interweaving of the author's life experiences and character images, as well as the embodiment of ecologicalism and Taoist thought. Yousnar's writing technique is particularly evident in "The Maze of the World", where she uses the third person to refer to herself, distancing herself from her family and self as a commentator or observer. Her autobiographical techniques stem from unique life experiences, such as her mother's early death and the impact of two world wars. She reconstructs her life and self through writing. Yousnar's self reconstruction is the restoration of personal history. She is adept at depicting the personal life experiences behind historical events, while also emphasizing the universal values behind individual experiences. Through the writing of personal and family history, she metaphorically describes the universal situation and common history of humanity.

conclusion

Yousnar's works blend history and fiction, pursue eternity, and embody humanistic care. She breaks boundaries as a writer, explores human nature and life situations in history, and reveals the constant. She holds a cautious attitude towards idealistic historical views, pays attention to historical cycles, and inspires readers with historical experiences and lessons. Personal memories converge into human history, and Usanar's novels write and reconstruct history, showcasing the stories of all humanity.