Scott challenged the unity of grand narratives through the narrative of antique collection behavior in "The Antiques", enriching the imagination of the community with fragmented and localized antique narratives. Li Yongsun explored the relationship between Scott's antique novels and British national identity in "The Heritage of Secession", pointing out that there is tension between antique and patriotic historicism in the construction of British national identity. The practice of antiquarianism contrasts with mainstream historicist discourse by collecting localized ancient relics and relics. Although antiquarianism is influenced by market supply and demand, its significance for national identity and community still deserves further exploration.

1、 Antique Collection: The Construction of a 'Trivial' Community

The Enlightenment and the French Revolution propelled a redefinition of national and ethnic concepts, with modern archaeology and antiquarianism becoming two important modes of historical research. However, the development of modern archaeology has led to the marginalization of antiquarianism, and its value and significance have been overlooked. Critics in the 19th century questioned the legitimacy of antiquarianism as a historical study, arguing that it lacked a global perspective and practicality. Nevertheless, ancient relics and ruins provide important evidence for historical research, such as cave paintings, sculptures, murals, etc., which provide evidence for legends and narratives.

2、 'Ruins': History in Fragments

In depth exploration of the symbolic significance of "relics" in Scott's "Antiques" not only refers to historical relics, but also symbolizes special groups of people who carry memories of the past. Old Elspeth, as a 'relic' character, connects the past and present through her experiences and memories, promoting the reconstruction of history. She was involved in the Countess's evil deeds, which led to the tragedy of Miss Neville and the destruction of Young Master Geraldine. Her existence symbolizes the remnants of past sins, and her state of life reflects the weathering effect of time on sin. Old Elspeth's storytelling is fragmented, echoing the essence of "ruins" as historical fragments, and her storytelling style also reflects a reinterpretation and reshaping of the past. Her story was ultimately reconciled after receiving forgiveness, symbolizing reconciliation between the past and present, as well as the construction of a new community.

3、 Folk Song: Narration in the Oral Transmission of 'Mist'

Explored the ambiguity of folk songs as intangible ancient heritage in the construction of collective spirit, as well as their importance in historical and cultural inheritance. Scott played a key role in the preservation and dissemination of Scottish folk songs. He not only collected and edited folk songs, but also recreated the historical and cultural background of folk songs in his historical novels, giving new life to folk songs. Scott's childhood experiences and the medieval revival trend at the time had a profound impact on his interest in folk music. He extensively collected folk songs, published the "Scottish Borderlands Ballad Collection", and communicated with cultural figures at the time, enriching his creative materials. In 'The Antiques', Scott tells the story of' little history 'through folk songs, filling the gap in official history and showcasing individuality and triviality. Folk songs, as oral traditions, transmit memories through repetition and ritualistic performances, forming artistic styles and having significant value for historical research. Scott's works combine folk songs with historical novels, showcasing a multi-layered Scottish history. Folk songs play a role in connecting the past and present in community building.

4、 Conclusion

Scott's antique writing resists the grand narrative of patriotic historicism, aiming to construct an emotional, local, and petty patriotism. The Antiques actively constructs a new community imagination through the trivial collection of antiques, affirming the discourse of the bottom, place, and others, and providing a unique perspective for the construction of 19th century British national identity.