1 Introduction

Explained the definition of "Red Classics" and pointed out that it refers to literary and artistic works from the establishment of New China to the Cultural Revolution, including specific literary works and their adaptations. Discussed the dissemination process of the Red Classics overseas, including early English translations and later extensive translations, as well as their acceptance and research in different cultural backgrounds. At the same time, it pointed out the deconstruction phenomenon of the classical properties of red since the 1980s, and proposed the necessity of reflection and new perspectives on the study of red classics. Finally, the discourse inspiration of red classics in cross-cultural contexts was proposed, as well as the question of how contemporary Chinese literature can obtain legitimacy and construct a discourse system.

Cross cultural dissemination of red classics and the legitimacy of discourse in Chinese literature

In depth exploration of the importance of discourse system in national ideological, cultural, and value systems, as well as its close connection with ideology. The article points out that although literature is seen as a non utilitarian form of aesthetics, its fact as a carrier of discourse cannot be ignored. The legitimacy of Chinese literary discourse is crucial for enhancing its position on the international stage. In history, the successful dissemination of red classics from the 1950s to the 1970s overseas provided valuable experience for contemporary Chinese literature. These works not only showcase China's ideology and historical style, but also resonate with global readers through heroic characters and passionate plots.

Cross cultural Communication of Red Classics and Chinese Narrative Strategies

This chapter explores how red classics achieve discourse legitimacy through narrative strategies in cross-cultural communication. As a model of contemporary Chinese literature, the legitimacy of the discourse of the Red Classics is achieved through three strategies: political discourse intervention, fictional historical truth, and shaping typical examples. Political discourse plays a constructive role in literary texts, and the Red Classics reshape the discourse behavior of the times, integrating popular ideas with the new mainstream ideology. Fictitious historical reality condenses the ontological consciousness of the state power into revolutionary and reform imagination through the imagination of the nation-state, and sinks into the national consciousness. Typical demonstration provides aesthetic examples for people to understand and transform society by shaping typical characters in typical environments. The writing mode of red classics provides experience and strategies for the construction of the discourse system of new era literature. The narrative of new era literature should adapt to the changes in national development situation and international context, and revolve around national spirit and collective imagination.

4. Cross cultural dissemination of red classics and criticism of "cultural poetics"

Explored the localization criticism method of cross-cultural dissemination of red classics, namely "cultural poetics". Cultural poetics is a principle and method of textual interpretation that combines critical approaches such as historical poetics, sociological poetics, Western Marxism, cultural studies, and new historicism. It focuses on texts with aesthetic and poetic qualities, including literature and other art forms such as film, drama, etc. The research method of cultural poetics emphasizes the combination of internal studies of literature and art with interdisciplinary studies of cultural systems, aiming to observe and criticize reality through the aesthetic and poetic qualities of texts, and promote the spirit of humanistic care.

5 Conclusion

The Red Classics have achieved the legitimacy of political and literary writing in New China through political discourse intervention, historical memory reconstruction, national image shaping, and overall identity imagination. The literature of the 1950s and 1970s inherited this national imagination, and during the Cultural Revolution, it focused on further "revolution" in modern countries. New era literature needs to solve new problems and is closely related to external factors such as politics, economy, and culture. The cross-cultural dissemination and discourse system construction of Chinese literature is a modernity issue that requires grasping the characteristics of the times and national spirit from an ideological perspective, and applying interdisciplinary and cross disciplinary research methods.