introduction

This article introduces the widespread influence and cultural value of Bao Zheng as a Chinese historical figure among the people, and points out that his image was translated and introduced to France as early as the early 19th century, but there is a relative lack of research on his translation and dissemination in France domestically. It mentioned Wang Lina and Wang Baorong's overview of the translation of Bao Gong's literature, as well as Professor Dai Wenchen's analysis of Bao Gong's use of a guillotine. The article aims to sort out the translation and introduction process of Bao Gong's literature in France, analyze the reasons for its ineffective dissemination, and explore how to promote its dissemination in foreign countries, in order to promote China's excellent traditional culture and establish a positive national image.

1、 Translation, Introduction, and Dissemination of Baogong Literature in France

Detailed exploration of the translation and dissemination process of Baogong literature in France. In 1832, the translation of "The Record of the Grey Lanterns" by French sinologist Rulian marked the first entry of Baogong literature into Europe. From then until 2020, various French translations of Baogong plays and public case novels have emerged. Rulian's complete translation of "The Record of the Grey Lanterns" had a profound impact on Western European drama and inspired the creation of German playwright Brecht. His disciple Dabazan provided a detailed introduction and classification of Yuan opera in "The Century of the Yuan Dynasty". Although it was not fully translated, it laid the foundation for the dissemination of Baogong opera.

2、 Exploring the reasons for the limited dissemination of the image of Duke Bao in France

Explored in depth the multiple reasons for the limited dissemination of the image of Duke Bao in France. Firstly, there is a significant difference between the omniscient narrative perspective of traditional Chinese detective novels and the narrative mode of Western detective novels, which makes it difficult for Western readers to adapt and affects the acceptance of the character of Bao Gong. Secondly, the translator's translation purpose and strategy have a significant impact on the dissemination of Baogong literature. In the 19th century, translators often used Baogong literature as a window to understand Chinese culture and adopted foreignization translation strategies, resulting in obscure and difficult to understand translations, which increased the difficulty for French readers to comprehend. In addition, poor promotion by publishing houses is also one of the reasons why the image of Bao Gong is limited in France. Although the translator attempted to make the plot more concise through editing and compilation to meet the aesthetic expectations of readers, the lack of effective promotion and advertising limited the dissemination of the image of Duke Bao. These factors work together, leading to challenges in the translation and dissemination of the image of Duke Bao in the French context.

3、 How to promote the exotic dissemination of Baogong's image

Explored how to promote the dissemination of the image of Duke Bao in France and proposed three main strategies: firstly, by changing the narrative perspective to adapt to the reading habits of Western readers, such as adopting the narrative mode of Western detective novels, using the "Bronze Bell Case" and "The Legend of Bao Zheng" comic series as examples to showcase successful cases; Secondly, catering to the aesthetic preferences of the audience, through the translation strategy of translator Brousole, such as adding subheadings and annotations, to stimulate readers' interest and help understand, thus gaining praise from French readers; Finally, broaden the dissemination channels by utilizing digital media such as e-books and audiobooks, as well as establishing publishing houses and producing versions suitable for mobile reading, in order to increase communication channels and audience reach. These strategies collectively promoted the effective dissemination of the image of Duke Bao in foreign lands.

conclusion

The dissemination of Baogong literature in France is limited due to various reasons, including the narrative mode of Chinese public case novels, the translation purposes and strategies of translators, and the promotion and marketing strategies of publishing houses. Analyzing these factors can help propose experiences and references, by changing narrative perspectives, adapting to audience aesthetics, and expanding communication channels, promote the overseas dissemination of the image of Duke Bao, and build a positive image of China.