This chapter discussed ethical-aesthetic remaking of Eliot’s “Little Gidding” via the poem “Calle Visión,” feminist plant poetics in Glück’s “Snowdrops” using rhizomatic critique, Sartre’s self-writing and authenticity through the Venice gaze, salvific dove imagery in Dante, Wordsworth’s dramatic ventriloquism, dual vivisection and community in Collins, unsayable childhood in Perec and Sarraute, novelists’ cognition within cognitive narratology, interspecies ethics from Levinas to Haraway, “stranger” and “diffractive reading” as critical keywords, evolution of American female SF, Barthes’s musical aesthetics from voice to géno-chant, Wataya’s iterative I-novel across cultures, material description in Zola’s L’Assommoir, mourning poetics after de Man, carnal dwelling in garden art, and Chen Jitong’s Parisian persona as the “Yellow Shirt Knight.”