Introduces the life background, creative achievements, and distinctive features of Alexis Wright's works. Wright is an Indigenous writer with Chinese ancestry, deeply influenced by her grandmother from a young age and immersed in the oral literary traditions of Indigenous peoples. She focuses on Indigenous rights, blending ethnic traditions with world literature in her works, with both her documentary literature and fictional novels receiving accolades. Her works have gained international recognition, using unique narratives to explore issues such as ecology and race.

1 Indigenous Literature with "Roots"

Delves into the origins and characteristics of Australian Indigenous literature, with a focus on analyzing the Indigenous cultural spirit and beliefs embedded in Alexis Wright's works. Wright centers on the Indigenous "Dreaming" faith, using her works to showcase the sacred Indigenous views of land, nature, and life, as well as the animistic ecological ethics. She skillfully combines oral literary traditions with realistic narratives, constructing a multi-dimensional literary space that not only presents the intertwining of Indigenous myths and legends with the realities of society but also reveals the internal contradictions and potential for unity within Indigenous communities. Wright's works are deeply rooted in her ethnicity and, through unique narrative structures and the aesthetic approach of magical realism, bring Indigenous literature to the world stage, providing a cultural foundation and spiritual guidance for building an Indigenous "community of shared destiny."

2 The Indigenous Voice in the New Era

Explores how Alexis Wright uses her unique linguistic artistry and postmodern narrative techniques to give voice to Indigenous peoples and propel their literature onto the world stage. Wright skillfully employs English, using neologisms and symbolic metaphors to preserve the uniqueness of Indigenous culture while allowing readers to hear the voices of Indigenous peoples. For example, in *Carpentaria*, she changes "Esperance" to "Desperance," hinting at despair while conveying hope through the story. In *Praisesong*, she splits "mother" into "moth-er," symbolizing the growth and transformation of the characters. In *The Swan Book*, the character name "Oblivion Ethyl(ene)" not only metaphorically addresses national trauma but also points to global ecological issues, connecting the fate of Indigenous peoples to the world. Additionally, Wright adopts a non-linear narrative structure, intertwining Indigenous myths, memories, and reality to create epic-like allegories. For instance, *The Swan Book* uses the symbolism of the black swan to denounce the atrocities of colonizers while exploring global issues such as ecological crises and refugee problems. Her works not only oppose "white-centrism" and "anthropocentrism" but also inspire people to seek wisdom from Indigenous cultures to save the planet, highlighting the important position of Indigenous literature in world literature.

3 "Dialogue" with World Literature

Wright's work *The Swan Book* demonstrates a literary charm that transcends time and blends Eastern and Western elements, with its narrative mode resonating with the styles of world novelists. The imagery of swans in the work, such as the black swan symbolizing the coexistence of Indigenous peoples and the human world in black and white, subverts Western-centrism and counters the Western literary tradition of "conquering" nature. *The Swan Book* features cross-genre and dialogic characteristics, composed of multiple genres and 19 stories, challenging readers' ability to connect ideas and use their imagination. Wright possesses an open "mutual learning" vision of world literature, drawing inspiration from Chinese literature and believing that Indigenous knowledge systems and their understanding of the land contribute to survival, with their ancient wisdom resonating with Zen. She emphasizes the spiritual connection between Indigenous peoples and the land, attempting to break through the limitations of white-centrism. Through her literary creations, she facilitates contact between Indigenous civilization and world civilizations, showcasing the inclusive spirit of Indigenous civilization and the vitality of its literature.

4 Conclusion

Summarizes the close connection between Indigenous peoples and the land as presented in Wright's works, as well as their vulnerable state under Australia's political and economic pressures. Highlights the magical realism style of her works, which is influenced by Western literature yet rooted in Indigenous oral literary traditions. Wright's works disseminate the voices of Indigenous peoples, explore issues such as culture, community, language, and politics, and create a space for dialogue between the "margins" and the "center." At the same time, her works resonate with the Chinese concept of "harmony and coexistence," providing spiritual inspiration for addressing human dilemmas. As a regional literature with "roots," Wright's literary works naturally resonate with readers worldwide, and her journey from Indigenous literature to world literature is commendable.